Countdown to Halloween 2023

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It’s hard to believe that it’s been 11 years since I launched Monster Movie Kid with a very ambitious Countdown to Halloween! Over the years, I’ve celebrated the films of Vincent Price, Boris Karloff and Bela Lugosi. One year was nothing but classic old time radio and last year, Jeff and I joined forces to play the name game. This year, every day will have a special theme and, as always, my loving wife Karla will join along for some of the films. Here’s the schedule:

Sundays: Domingo del Terror (five Mexican horror classics)
Mondays: Classic Horrors Club Podcast (five consecutive weeks of the podcast, all featuring special guests)
Tuesdays and Thursdays: Old time radio classics
Wednesdays: Classic horror comics
Fridays and Saturdays: Weekly themes (mysteries, Euro horror, mad killers and forgotten films)

Once again, I’m an official Cryptkeeper over at the Countdown to Halloween blog! Check them out for a complete list of fellow Cryptkeepers, include my monster-in-crime Jeff Owens from the Classic Horrors Club (relaunching on Sunday with a fresh new look for Halloween)!

The 2023 Countdown to Halloween is going to be fun with a little something for everyone. Join us and remember, it’s always Halloween here at Monster Movie Kid!

Santo Septiembre – El Puno de la Muerte and La Furia de las Karatecas (1982)

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El Puno de la Muerte (The Fist of Death)
Release date: December 9, 1982
and
La Furia de las Karatecas (The Fury of the Karate Experts)
Release date: December 17, 1982

Cast:
Santo as El Santo El Enmascarado de Plata
Sandra Duerte as Nina de la Selva (Nina of the Jungle or Jungle Girl)
Steve Cheng as Prince Ching-Ka
Grace Renat as Kungyan & Queria
Tinieblas as Tinieblas
Carlos Suarez as Cliff
Rene Cardona as Professor Williams (Fury of the Karate Experts only)

Written by Alfredo B. Crevenna, Ramon Obon & Sergio Alvarez
Directed by Alfredo B. Crevenna

Plot:
Santo battles twin sisters, one good and the other evil, over the star of great power, a crystal from space. 

Richard’s Thoughts:
These two films were made back-to-back in Florida and essentially tell one very long story. However, I cannot recommend spending three hours in one sitting watching these. Honestly, 90 minutes is way too long for even one of them. These are beyond rough, aside from the lovely Grace Renat, but even watching her gets boring and repetitive very quickly. She’s bursting out of her outfit and dancing about for most of the two films (it sounds more exciting than it really is). There are a lot of shots of traveling from one point to another, over and over again. Add to that the poor editing, odd musical choices (think cheap ’80s video games), horrifically choreographed fight sequences, an annoying sidekick who serves no purpose and incredibly bad dubbing (we watched the English versions). Don’t even get me started on the C-3PO mask sprayed black and hanging on the wall as some ancient god elder being. Clearly, we’re dealing with a $2.00 budget in the swamps of Florida. The end result is a big mess that never comes close to the “so bad it’s good” category.

Sadly, Santo is barely in these films. His advanced age played a big factor in the fight choices, resulting in some very bad scenes with Tinieblas. Otherwise, he really doesn’t do much, leaving a lot of the action up to the younger actors. And were they supposed to be Asian? If so, why did we see natives banging on the drums to send messages? Some of the dancers wore veils but Kungyan and Queria look like they came right out of a Las Vegas chorus line.

The saga of Santo ends on a sad note. It would have been better to end the series in the mid-70s. I can’t recommend these but if you must, you might seek out the subtitled versions as the dubbed versions were beyond painful. 

Karla’s Thoughts:
By far, these are the worst Santo films I’ve seen to date and I’ve seen a lot (35 of the 52 films and the 1952 film originally intended for Santo, El Enmascarado de Plata). If you eliminate all of the travel and dancing scenes, you might have 30 minutes left. There were so many moments that hurt my brain. Why were there so many nationalities in this film? Who were the random natives playing drums? And where was Santo? He’s barely in this movie. Sorry, but I wouldn’t watch these again if somebody paid me. Not a great end for Santo.      

Trivia:
These two films were made back-to-back in Florida and were the end of the cinematic road for Santo. Just three months before their release, he would also wrestle his last match on September 12, 1982, a week before his 65th birthday. His son, El Hijo del Santo, was ringside as a ceremonial passing of the torch from father to son. 

Santo made a cameo appearance in the opening moments of Chanoc and the Son of Santo vs. the Killer Vampires in 1983. After asking his son if he’s ready to uphold justice in the family tradition, his son says yes and transforms into El Hijo del Santo. Santo then leaves the silver screen forever.

Santo died on February 5, 1984 at the age of 66, a week after briefly removing his mask on television for the first and last time.

Availability:
Both of these films are available to stream on Tubi in an English dubbed format. You can also purchase El Puno de la Muerte and La Furia de las Karatecas with English subtitles through 5th Dimension Films.

Recommended Reading:
The Mexican Masked Wrestler and Monster Filmography by the late Robert Michael “Bobb” Cotter is available on Amazon. Highly recommended!

The Private Life of Sherlock Holmes (1970) – Director Billy Wilder Visits 221B Baker Street

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J.R. Jordan, author of Robert Wise: The Motion Pictures, has written a new book on the films of another legendary director, Billy Wilder. In Magic Time: The Films and Scripts of Billy Wilder, Jordan takes a film-by-film look at the career and filmography of Wilder, including several films which certainly lend themselves to the fringe of what all monster kids enjoy. For example, most Bela Lugosi fans will likely want to take a look at Ninotchka (1939) to see their beloved Count Dracula in one of his most celebrated non-horror roles.

This book was just released and is now available on Amazon in paperback and hardcover editions. Thanks to the author, I’ve been able to spend some time learning more about Billy Wilder’s films and from what I’ve read so far, I highly recommend all cinephiles to seek it out and add it to your library today. It receives the Monster Movie Kid (and Kansas City Cinephile) seal of approval.

In a career full of classics, such as Sunset Boulevard (1950), Stalag 17 (1953), Some Like It Hot (1959) and The Apartment (1960), Billy Wilder gave us a few thrills along the way. Today, let’s take a look as Billy Wilder visits 221B Baker Street and one of the greatest film detectives of all time in The Private Life of Sherlock Holmes (1970).

The Private Life of Sherlock Holmes
Released: October 29, 1970

Cast:
Robert Stephens as Sherlock Holmes
Colin Blakey as Dr. Watson
Genevieve Page as Gabrielle Valladon
Christopher Lee as Mycroft Holmes

Written by Billy Wilder & I.A.L. Diamond
Directed by Billy Wilder

“Criminals are as unpredictable as head colds. You never know when you’re going to catch one.”
– Sherlock Holmes (Robert Stephens)

Plot:
Sherlock Holmes and Dr. Watson investigate the case of a woman’s missing husband and become embroiled in a plot involving the British Navy and the Loch Ness Monster.

Richard Thoughts:

I believe I’ve only seen this film once and it was many years ago on a family vacation when I was about 12 years old. I’ve been a Sherlock Holmes fan since childhood and my appreciation for the legendary detective has only continued to grow over the decades. So, it was with an older and wiser set of eyes that I’ve revisited this classic and I must say that I was quite impressed.

Considering how many actors have played Sherlock, everyone has their favorites and I’m no exception. While I wouldn’t say Robert Stephens is my favorite or even in the top five, he definitely earned a spot in my top ten. Since this film is a mixture of mystery and comedy, his interpretation could almost be separated from the more serious incarnations. However, the writing, while a little uneven at times, is highlighted by some fantastic banter between Holmes and Dr. Watson, as played by Colin Blakely. The scene with Sherlock and Madame Petrova is also quite entertaining.

The story is a little fragmented but that was by design as it was originally much longer. It was structured as a series of previously untold adventures with a framing story of Dr. Watson’s narration of past events as his archives were opened. Unfortunately, the studio cut the film from a 2 hour and 45 minute running time to just over 2 hours. The framing story, which was to include Dr. Watson’s grandson, was shortened and two whole adventures, “The Dreadful Business of the Naked Honeymooners” and “The Curious Case of the Upside Down Room” were cut altogether. Billy Wilder’s road show event and potential big moment of his career was left on the cutting room floor. Billy felt the original version was elegant and he was devastated at the end result.

The Private Life of Sherlock Holmes is still a fun film, even if the action and adventure doesn’t always mix well with the comedic moments. I would have liked to see Robert Stephens play Sherlock again but he apparently had no desire to return to the role due to the physically and mentally demanding nature of playing such a well-known and robust character. He supposedly even went as far as to tell Jeremy Brett to turn down the role in the 80s. Colin Blakely is a little over the top at times and tends to overact in some scenes but I think he really is a good Watson. And yes, Christopher Lee is along for the ride as Sherlock’s brother Myrcroft. However, his participation in the overall story is somewhat brief, although highly entertaining.

I highly recommend fans of Sherlock Holmes give this movie a try. It may not be the masterpiece that Billy Wilder envisioned but it’s absolutely worth checking out. From production designer Alexandre Trauner’s amazing sets (later seen in Hammer’s Hands of the Ripper in 1971) to the masterful score by Miklos Rozsa, there is much to see and hear that will enhance your overall experience.

Trivia:
The original Loch Ness Monster prop sank to the bottom of the lake and was initially never recovered. A second and smaller version was created for the film. In April 2016, modern technology was used to rediscover the remains of the prop at the bottom of Loch Ness.   

Available:

The Private Life of Sherlock Holmes was available on Blu-ray from Kino Lorber but it’s now out-of-print, so shop around for the best price. It’s also currently streaming on Amazon Prime.

Recommended Reading:
Sherlock fans will definitely enjoy Sherlock Holmes on Screen: The Complete Film and TV History by Alan Barnes. It’s a comprehensive look at the history of the master detective. In it, Barnes comments on this film, stating it’s “an uncommonly charming and atmospheric picture.” A worthy addition to any cinephile’s library.

Santo Septiembre – Santo y Mantequilla Napoles en la Venganza de la Llorona (1974)

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Santo y Mantequilla Napoles en la Venganza de la Llorona
(Santo and Mantequilla Napoles in the Vengeance of the Crying Woman)
Release date: August 29, 1974

Cast:
Santo as Santo
Jose Mantequilla Napoles as Mantequilla Napoles
Kikis Herrera Calles as Dona Eugenia Esparza aka La Llorona
Alonso Castano as Professor Esteban Lira 

Written by Francisco Cavazos
Directed by Miguel Delgado

Plot:
Santo helps a professor solve the mystery behind a medallion, a mummy and the crying woman. 

Richard’s Thoughts:
After getting seeing Santo pair up with other masked wrestlers like Blue Demon and Mil Mascaras, I wondered how the format would work with a boxer. The answer is that it worked pretty much the same except we get a boxing match to counter the usual wrestling matches. Mantequilla isn’t quite up to Blue Demon standards and does come across as bit more of a fan boy at times, it’s an interesting change of pace that works out quite well. The legend of La Llorona is changed up a bit with some satanic references added in for good measure along with a hidden treasure. Overall, it’s a really fun entry in the series. Sadly, La Llorona is the last of the legendary monsters that Santo would meet. With only seven more films in the next eight years (one of which is nothing more than a cameo), the argument could be made that this is the last of the really good Santo films. Check it out as I think all Santo fans will enjoy it!

Karla’s Thoughts:
I really liked this one, especially seeing Santo paired up with a boxer rather than a wrestler. It was nice to see something different. The story was really well done and quite creepy at times. Unfortunately, we watched a dubbed version. It wasn’t horrible as some of the voices worked but a few of them most definitely did not. Overall, this movie was well executed but I’d prefer to watch the Spanish language version next time. 

Trivia:
Jorge Guzman, the real life son of Santo (Rodolfo Guzman Huerta), starred as Carlitos in his third film appearance, following Santo vs. Capulina (1969) and Santo in the Vengeance of the Mummy (1971). In 1983, he made his film debut under his masked wrestler persona of El Hijo del Santo in Chanoc and the Son of Santo vs. the Killer Vampires.

Availability:
This film is available to stream on Tubi in an English dubbed format. You can also purchase this with English subtitles through 5th Dimension Films.

Recommended Reading:
The Mexican Masked Wrestler and Monster Filmography by the late Robert Michael “Bobb” Cotter is available on Amazon. Highly recommended!

New Kickstarter Campaign Will Restore Roland West’s The Bat (1926)

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The raided bank! The haunted halls! The hidden chamber! The flitting omen of ill!
The ghostly shades! The disguised strangers! The hysterical maid!
And the stirring tempo of a thousand terrors, gasps and laughs!
The Vindicator (Youngstown, Ohio newspaper), June 13, 1926

Every Halloween season, monster kids delight in watching old and new (or new to them) films from decades past. No matter how many times we watch Frankenstein (1931) or Phantom of the Opera (1925), they never fail to entertain us. But wouldn’t it be great if another film was added to our annual countdown to Halloween film schedule?

Enter Ben Model and his new Kickstarter campaign to restore and release The Bat, the original 1926 silent classic from director Roland West. The Bat was once thought lost until being rediscovered in the late 1980s. The UCLA Film and Television Archive restored it but, sadly, the film is rarely seen today and has never been given a proper home video release…until now! And yes, this is the film that Bob Kane credited for inspiring his part in creating The Batman.

Who is Ben Model? He’s been a silent film accompanist for over 40 years and is a resident accompanist at the Museum of Modern Art in New York and the Library of Congress. He’s also released 29 silent and early sound films through his boutique video company Undercrank Productions. This is his 12th Kickstarter campaign and all of the previous 11 campaigns were successfully funded. If you watch TCM, it’s also highly likely that you “seen” his work as several of the films he’s worked on have been licensed to them.

Monster Movie Kid highly recommends Ben Model and this campaign. I personally own numerous of his releases in my collection and I’ve supported his last several campaigns. This one will be the next with no hesitation. Ben is fantastic at keeping you up-to-date on the status of the restoration and musical score. His prices are more than fair and the results are always amazing. I’ve had the pleasure of hearing him perform at the Kansas Silent Film Festival and give an amazing presentation, Undercranking: The Magic Behind the Slapstick. Needless to say, this project gets the Monster Movie Kid (and Kansas City Cinephile) seal of approval!

Go to the Kickstarter campaign and consider being a part of history as I’ve done. As Ben says, this is your chance to get The Bat “from film cans to film fans” in time for Halloween 2024!

You can learn more about Ben Model and his previous Kickstarter campaigns and about Undercrank Productions. You can also listen to his Silent Film Music Podcast and check out The Silent Comedy Watch Party on YouTube. This series features some of the most beloved silent comedies of all time but it also highlights a lot of stars and films rarely seen. In the latest episode (95 and going strong), you’ll even get to see Laurel and Hardy in Do Detectives Think? (1927). And you know how I love Stan and Ollie!

Double Indemnity (1944) – An Amazing Film Noir Contribution from Director Billy Wilder

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J.R. Jordan, author of Robert Wise: The Motion Pictures, has written a new book on the films of another legendary director, Billy Wilder. In Magic Time: The Films and Scripts of Billy Wilder, Jordan takes a film-by-film look at the career and filmography of Wilder, including several films which certainly lend themselves to the fringe of what all monster kids enjoy. For example, most Bela Lugosi fans will likely want to take a look at Ninotchka (1939) to see their beloved Count Dracula in one of his most celebrated non-horror roles.

This book was just released and is now available on Amazon in paperback and hardcover editions. Thanks to the author, I’ve been able to spend some time learning more about Billy Wilder’s films and from what I’ve read so far, I highly recommend all cinephiles to seek it out and add it to your library today. It receives the Monster Movie Kid (and Kansas City Cinephile) seal of approval.

In a career full of classics, such as Sunset Boulevard (1950), Stalag 17 (1953), Some Like It Hot (1959) and The Apartment (1960), Billy Wilder gave us a few thrills along the way. Today, let’s take a look at one of the greatest film noir movies of all time, Double Indemnity (1944).

Double Indemnity
Released: July 6, 1944

Cast:
Fred MacMurray as Walter Neff
Barbara Stanwyck as Phyllis Dietrichson
Edward G. Robinson as Barton Keyes
Porter Hall as Mr. Jackson
Jean Heather as Lola Dietrichson
Tom Powers as Mr. Dietrichson

Based on the novel by James M. Cain
Screenplay by Raymond Chandler & Billy Wilder
Directed by Billy Wilder

“Nice going, Mr. Norton. You sure carried that ball, only you fumbled on the goalline. Then you heaved an illegal forward pass and got called for a forty-yard loss. Now, you can’t pick yourself up because you haven’t got a leg to stand on.”
– Barton Keyes (Edward G. Robinson)

Plot:
When an experienced salesman meets the lonely wife of one of his clients, he finds himself unwittingly seduced in a deadly game of murder and insurance fraud.

Richard’s Thoughts:

I need to begin my thoughts by freely admitting that I have never seen Double Indemnity until this past week. I’ve been aware of it for decades and it’s been on my to watch list forever. Yet, I’ve somehow chosen to watch some of the worst movies ever made before this film. I absolutely need to correct that in 2024. I’m already compiling a list to right that horrific wrong with first-time views and long overdue revisits.

Double Indemnity is an amazing film and one of the quintessential film noir contributions to cinema of all time. Fred MacMurray is so good in the lead role of insurance salesman Walter Neff. Some of his best work in this film isn’t even seen on screen but comes from his amazing narration as we witness the events via flashback that lead up to his being shot, which he is struggling through in the opening moments. Equally as good is Barbara Stanwyck, whose on-screen chemistry with MacMurray is on display in every scene they share, including the opening moments where she is standing at the top of a staircase wearing nothing but a towel looking down upon a bemused MacMurray. I’d also be remiss to not mention Edward G. Robinson, who is in top form as Barton Keyes, the boss of Walter Neff. He plays the role as one would expect a newspaper editor or police captain to act but with elements of being almost a brother or mentor to Neff.

In the 1980 reference book, Film Noir: An Encyclopedic Reference to the American Style, contributing writer Blake Lucas describes how the “night-for-night exteriors and moodily lit interiors” were influential to future film noir classics and I wholeheartedly agree. The opening shot of Neff’s car careening through the somewhat fog enshrouded streets immediately sets the tone. Cinematographer John F. Seitz certainly must receive some credit for his contributions here as well. I also found composer Miklos Rozsa greatly contributed to the mood of the film in numerous scenes. Essentially, from the cast to the script to the visual and auditory enhancements, all of these individual aspects of the film result in a masterpiece.

It’s always fun recognizing actors from other films but it can sometimes pull you out of the moment. I was hit with several of those moments watching Double Indemnity as several of the faces are perennial Christmas favorites. Fred MacMurray and Barbara Stanwyck both starred as a couple fighting the odds in Remember the Night (1940), while Barbara is even more well-known for her role as Elizabeth Lane in Christmas in Connecticut (1945). Jean Heather is forever etched in my memory as Carol James in Going My Way (1944). I also got a chuckle out of seeing Porter Hall, who is the annoying and somewhat villainous Mr. Sawyer from Miracle on 34th Street (1947).

I highly recommend Double Indemnity and still cannot understand why it took me nearly 56 years to finally sit down and enjoy it from beginning to end. I’ll thank the late Billy Wilder for a masterpiece and author J.R. Jordan for opening the door to shed some light on Wilder’s amazing career.

Trivia:
The exterior of the Dietrichson home was not a set but a real location and is still standing today, with minimal changes, at 6301 Quebec Drive in Los Angeles. The interior was a Hollywood set but was an almost faithful recreation of the real house. In the film, Walter Neff stated the house must have cost about $30,000. Today, it’s valued at $2.3 million.

Available:
Double Indemnity is available on Blu-ray as part of The Criterion Collection and to rent on Amazon Prime.

Santo Septiembre – Santo contra el Doctor Muerte (1973)

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Santo contra el Doctor Muerte (Santo vs. Dr. Death)
Release date: December 17, 1973

Cast:
Santo as Santo El Enmascarado de Plata
Carlos Romero Marchent as Paul, Agent 9004
Helga Line as Sara
George Rugaud as Dr. Mann
Antonio Pica as Peter
Mirta Miller as Special Agent Susan 

Written by Rafael Romero Marchent & Jose Luis Navarro
Directed by Rafael Romero Marchent

Plot:
Santo investigates the mystery behind a vandalized painting. Is it a counterfeit art ring or something more sinister?

Richard’s Thoughts:
You never know what to expect when you dive into a Santo film from the 70s. The decade is full of highs and lows. So, I went into Santo vs. Dr. Death with low expectations and I was pleasantly surprised. Yes, the crazy plot about harvesting tumors in pretty models as part of an art counterfeiting ring is..well…crazy. Yet, somehow, it doesn’t derail the film or ruin the overall fun. Plus, we get a great boat chase scene. How can you not enjoy this one? Seek this one out!

Santo vs. Dr. Death is beautifully filmed in color and the Vinegar Syndrome Blu-ray looks amazing (well, as amazing as one can expect from the low budget of the era). It lacks the great special features that the Indicator Santo set has but it’s well worth adding to your collection. It too is in a limited edition, so get it sooner rather than later. 

Karla’s Thoughts:
Despite the science behind the plot being utter nonsense, I really enjoyed the story in this one. Santo was much more traditional here and very much still in his prime. It was well-made and quite entertaining. Much better than I anticipated since the 70s films can be a bit hit and miss for me. I would definitely watch this again.

Trivia:
Carlos and Rafael were indeed brothers and the sons of Spanish writer and director Joaquin Luis Romero Merchant.

Availability:
This is available on a limited edition Blu-ray from Vinegar Syndrome.

Recommended Reading:
The Mexican Masked Wrestler and Monster Filmography by the late Robert Michael “Bobb” Cotter is available on Amazon. Highly recommended!

Classic Horrors Club Podcast – Premature Burial in the Haunted Palace

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Corman! Poe! Price! Milland?!? Lovecraft?!?

Roger Corman laid a foundation for his unexpectedly successful series of films based on the works of Edgar Allan Poe with House of Usher in 1960. He put care, thought, and preparation into it, then built from that with future installments.

In episode 84 of the Classic Horrors Club Podcast, Jeff and I discuss two of the Corman/Poe films from the early 1960s: The Premature Burial (1962) and The Haunted Palace (1963). Is it a case of the more things change, the more they stay the same?

You’re also invited to hang around after the episode to hear an insider’s view of the Hollywood strikes. They don’t just affect the big-name stars and writers, as independent filmmaker Ansel Faraj (Loon Lake, Todd Tarantula) will tell us.

Be sure to check out the video companion on our YouTube channel. Put faces to the words… if you dare!

Call us at (616) 649-2582 (CLUB), email at classichorrors.club@gmail.com or join us in our clubhouse at https://www.facebook.com/groups/classichorrors.club/!

We’d also appreciate if you’d give us an honest rating on Apple Podcasts or SoundCloud. Thank you!

You can find Jeff at:

Coming up next month, Jeff and I will join in the Countdown to Halloween madness by stirring things up a little. We’re doing five episodes in October on five consecutive Mondays! In each episode, we’ll welcome a special guest to talk about a movie they’ve chosen for us. First up will be independent filmmaker Ansel Faraj and we’ll be watching The Other (1972)!

Santo Septiembre – Santo contra Hombres Infernales (1961)

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Santo contra Hombres Infernales (Santo vs. Infernal Men)
Release date: December 18, 1961 (filmed in 1959)

Cast:
Santo as El Enmascarado de Plata
Joaquin Cordero as Joaquin
Gina Romand as Irma
Enrique Zambrano as Teniente Zambrano
Fernando Oses as Enrique

Written by Enrique Zambrano & Fernando Oses
Directed by Joselito Rodriguez & Enrique Zambrano

Plot:
Santo and an undercover agent are assigned to bring down a gang of drug smugglers. 

Richard’s Thoughts:
Santo may be featured a little more prominently in this second film in the series, but the movie has a more polished look. We get a chance to see even more of Cuba in this film. Sadly, the reason appears to be because the plot is incredibly thin. Okay, Santo is more prominent only in that he appears a little stronger here but, in reality, he’s given very little to do. He seemingly is just swimming around the dock and randomly pops up from time to time. Everything looks nice but there just isn’t much going on. I enjoyed this more for its historical importance. There are definitely better days ahead for Santo but it’s interesting to see where it all started.

Both of these Cuban films really are interesting to look at but one wonders why Santo didn’t star in El Enmascarado de Plata in 1952. I understand his lack of faith in bringing a wrestler character to life on the big screen but, ultimately, that film would have been a much better opening feature for him. That film lacks the visual eye candy of Cuba but really is superior to these two films. Seek that one out as I like to think it really is a Santo film in disguise.

Karla’s Thoughts:
I thought this was a much weaker film than Santo vs. Evil Brain. It’s almost like they ran out of plot but still had time in Cuba and kept filming random scenes. There is definitely better use of the Cuban locations but there were way too many scenes on the dock that do nothing but kill time. The Santo character is better defined but he needed more to do. Personally, I loved watching the then and now location comparisons on the Blu-ray documentary a lot more than this film. That said,I’d probably watch it again but I wouldn’t seek it out.   

Trivia:
Musical group Trio Servando Diaz once again appear in a brief musical number. They were actually a very popular Cuban group. Unfortunately, with the Cuban revolution in 1959, they were forced to disband. Servando Diaz fled to Puerto Rico, where he launched a successful solo career and continued to perform until his death in 1985.

Availability:
This is available in the Enter Santo: The First Adventures of the Silver Masked Man limited edition Blu-ray set from Indicator. Highly recommended!

Recommended Reading:
The Mexican Masked Wrestler and Monster Filmography by the late Robert Michael “Bobb” Cotter is available on Amazon. Highly recommended!

Santo Septiembre – Santo contra Cerebro del Mal (1961)

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Santo contra Cerebro del Mal (Santo vs. Evil Brain)
Release date: July 7, 1961 (filmed in 1959)

Cast:
Santo as El Enmascarado de Plata
Joaquin Cordero as Dr. Campos
Norma Suarez as Elisa
Enrique Zambrano as Lt. Zambrano
Alberto Insua as Gerardo
Fernando Oses as El Incognito

Written by Enrique Zambrano & Fernando Oses
Directed by Joselito Rodriguez

Plot:
Santo is kidnapped by the evil Dr. Campos and brainwashed into becoming a member of his gang. 

Richard’s Thoughts:
This is the film that started it all. As with many film series, it takes awhile for the actors to settle into their roles and Santo is no different. From his opening scene, where we witness him lose a battle, Santo comes across as a little weaker than we would see him in later films. He’s seemingly overpowered and brain washed a little too easy but fear not, he eventually regains his senses and saves the day before the climax of the film.

Actually, I found his role here a little refreshing and the use of the Cuban locations enhances the film. It was nice to see another wrestler, El Incognito, save Santo for a change. Yes, I could have done without the musical interludes but they’re not too intrusive and kind of add to the ambiance of the overall experience. Personally, I would have replaced those with a wrestling match or two, which are conspicuously missing. Maybe not the very best of Santo but a nice start to the film series.

The box set is definitely worth adding to your collection due to the amazing extras. There is a great documentary, Looking for El Santo, where Viviana Garcia Besne goes to Cuba in search of the original shooting locations. Equally as fascinating is Mascara vs. Mascara, which focuses on the history of lucha libre films. There’s also a feature-length documentary, Perdida (2011), in which Viviana traces the Besne and Calderon family contributions to the history of Mexican cinema. Even if the Santo films may not be his best, the extra features are more than worth the price of admission.

Karla’s Thoughts:
I really enjoyed the overall look of this film despite the fact that the Cuban locations aren’t used as efficiently as in Santo vs. Infernal Men. Santo doesn’t come across as strong here, especially losing his first big screen fight. However, the story is good and I would definitely watch this one again but I could do without the random musical numbers. On a side note, I loved the documentaries and extras. Definitely go with the box set on this one.      

Trivia:
Santo is never referred to by name in this film, only as “The Masked Man”.

Availability:
This is available in the Enter Santo: The First Adventures of the Silver Masked Man limited edition Blu-ray set from Indicator. Highly recommended!

Recommended Reading:
The Mexican Masked Wrestler and Monster Filmography by the late Robert Michael “Bobb” Cotter is available on Amazon. Highly recommended!